Compositions
Chinese American Symphony (2007) 25' Paper Son, Paper Songs (2005) 18' Where Swallows Go/Dance of the Cavaliers (2007) 6'
Sacramento Philharmonic Orchestra
Jiebing Chen, erhu
Michael Morgan, conductor
First performance: Community Center Theatre
Sacramento, CA
28 April 2007
Jim Norton, soprano saxophone
Francis Wong, tenor saxophone
John L. Worley, trumpet and fluegelhorn
Wayne Wallace, trombone
Jon Jang, piano
David Belove, electric bass
Deszon Claiborne. Multiple percussion
Monterey Jazz Festival
18 September 2005
Up from the Root! (2002) 20'
soprano saxophone/tenor saxophone/bass clarinet,
bahu/erhu/zhonghu/suona, yangqin,
piano and multiple percussion
First performance: David Murray, tenor saxophone/
bass clarinet; Jon Jang, piano and Melody of China
San Francisco Jazz Festival, Herbst Theatre;
24 October 2002
When Sorrow Turns to Joy -
A Musical Tribute to Paul Robeson (revised 2002) 70'
Composed by James Newton and Jon Jang
Cedric Berry, bass-baritone;
Shuang Hou, Chinese opera female singer;
James Newton, flute; Jon Jang, piano;
erhu, double bass and multiple percussion
Dartmouth College, Hanover, NH
23 January 2003
When Sorrow Turns to Joy - The Spiritual
Tributary of Paul Robeson and Mei Lanfang (2000) 90'
Composed by James Newton and Jon Jang
Timothy Robert Blevins, bass-baritone; Li Hongmei,
Chinese opera female singer; James Newton, flute;
Jon Jang, piano; Albert "Tootie" Heath, multiple percussion;
erhu, jinghu, double bass,Chinese opera percussion
First performance: Cal Performances-
University of California at Berkeley, CA;
1 June 2000
Sister Cities (2000) 20'
erhu, suona, yangqin, tenor saxophone, piano,
Chinese opera percussion and multiple percussion
First performance: Max Roach, multiple percussion;
Jiebing Chen, erhu; Jon Jang, piano and Melody of China
San Francisco Performances, Herbst Theatre
18 February 2000
The Temple of the Drum (1999) 15'
An Offering to Max Roach
for erhu and piano
First performance: Jiebing Chen, erhu and
Jon Jang, piano;
The Library of Congress, Calvin Coolidge Auditorium, Washington DC
13 November 1999
Inside the Roses (1999) 10'
for Chanticleer
Text by Li-Young Lee
First performance: Chanticleer,
Santa Clara, California,
4 March 1999
The Embodiment of Beauty (1998) 10'
for erhu and piano
First performance: Jiebing Chen, erhu and
Jon Jang, piano;
Asian Art Museum, San Francisco, CA;
11 August 1998
Ikiru (1998) 7'
soprano saxophone, alto saxophone, tenor saxophone,
bass clarinet, trumpet, trombone, piano, double bass,
multiple percusssion and the San Jose Taiko Group
First performance: Asian American Jazz Orchestra
Yerba Buena Center for the Arts, San Francisco, CA
19 February 1998
Island: the Immigrant Suite No.2 (1996) 11'
for string quartet and (pre-recorded)
Cantonese Opera singer
First performance: Kronos Quartet and
Eva Tam, vocals;
Cowell Theatre, San Francisco, CA;
4 May 1996
Island: the Immigrant Suite No. 1 (1995) 30'
Genny Lim, performance poet
tenor saxophone, English horn/soprano saxophone,
zhonghu, pipa, cello, piano, 2 percussion
First performance: Jon Jang Octet
Cowell Theatre, San Francisco, CA
8 October 1995
Variation on a Sorrow Song of Mengjiang Nu (1995) 16'
tenor saxophone, flute, erhu, piano,
double bass and multiple percussion
First performance: Jon Jang Sextet
David Murray, tenor saxophone;
James Newton, flute; Jiebing Chen, erhu;
Jon Jang, piano; Santi Debriano, double bass and
Billy Hart, multiple percussion
First performance :The Asia Society of New York
6 June 1995
Woman Shaman of Alishan (1995) 11'
tenor saxophone, flute, erhu, piano,
double bass and multiple percussion
First performance: Jon Jang Sextet
David Murray, tenor saxophone;
James Newton, flute; Jiebing Chen, erhu;
Jon Jang, piano; Santi Debriano, double bass and
Billy Hart, multiple percussion
First performance: same as Variation on a Sorrow Song
Two Flowers on a Stem (1994) 4'
erhu, flute, tenor saxophone, piano, double bass, multiple percussion
First performance: Jon Jang Sextet. Jiebing Chen, erhu;
James Newton, flute; David Murray, tenor saxophone; Jon Jang, piano;
Santi Debriano, double bass and Billy Hart, multiple percussion
First performance: same as previous two works
Applicant: Jon Jang
The Color of Reality (1993) 25'
tenor saxophone, flute, guzheng,
suona/erhu, piano, double bass and multiple percussion
First performance: Jon Jang's African-Chinese Sextet
David Murray, tenor saxophone; James Newton, flute; Zhang Yan, guzheng
First performance: Zellerbach Auditorium,
Cal Performances -University of California at Berkeley
27 February 1993
Tiananmen! (1992) 55'
suona/sheng/erhu, guzheng, flute,
alto saxophone/flute, tenor saxophone/flute,
bass clarinet/clarinet/flute, trumpet, trombone,
piano, double bass, multiple percussion.
First performance: Jon Jang & the Pan Asian Arkestra,
Julia Morgan Theatre, Berkeley, CA
4 June 1992
SenseUs -the Rainbow AnthemS (1990) 50'
Composed by Max Roach, Jon Jang, John Santos
Text by Sonia Sanchez, Genny Lim, Victor
Hernandez Cruz
3 poets, 3 percussionists,
flute, trombone, piano and double bass,
First performance: Davies Symphony Hall, San Francisco, CA
13 October 2000
Kulintang Phantasy (1990) 15'
Kulintang Arts Ensemble, soprano saxophone,
trumpet and synthesizer
First performance: San Francisco, CA
3 May 1990
Reparations Now! (1988) 35'
(Concerto for Large Jazz Ensemble and Taiko)
alto saxophone/flute, tenor saxophone/flute,
bass clarinet/flute, trumpet, trombone,
piano, double bass, multiple percussion and taiko
First performance: Jon Jang & the Pan Asian Arkestra
San Francisco Jazz Festival, 21 October 1988
DANCE/THEATRE
Playwright/Director Megs Booker
Artistic Director Shem Guibbory
Conceived by Megs Booker, Shem Guibbory,
Rinde Eckert and Thomas Young
Shem Guibbory, violin/ actor
Robert Levin, piano
Marvin Sewell, guitar
Rolando Morales-Matos, percussion
Workshop performance: Aaron Davis Hall, New York
January 2007
Mandala (2001) 25'
Choreography by Dana Tai-Soon Burgess
Shubangiar, vocals; Vedang Londhe, tablas;
and sequenced sounds
First performance: Eisenhower Auditorium
The Kennedy Center, Washington DC
7 December 2001
Silk Roads (2001) 22'
Choreography by Dana Tai-Soon Burgess
2 sopranos, 3 countertenors and sequenced sounds
First performance: Eisenhower Auditorium,
The Kennedy Center, Washington DC
7 December 2001
After Hours (1997) 60'
Writer David Mura, directed by Dipunker
Performed by David Mura, actor Kelvin Han Yee
and pianist/composer Jon Jang
First perfomance: Intermedia Arts, Minneapolis, MN
18 March 1997
The Woman Warrior (1994) 120'
Playwright Deborah Rogin adapted from
Maxine Hong Kingston's "Woman Warrior"
Directed by Sharon Ott
First performance: Berkeley Repertory Theatre
Cal Performances-University of California at Berkeley
18 May 1994
Arthur and Leila (1993) 60'
Playwright Cherylene Lee, directed by Amy Mueller
erhu, piano; First performance: Brava Theatre, San Francisco, CA
30 October 1993
FILM/SILENT FILM SCORES
Race is the Place (2004) 91'
Filmmakers Rick Tejada-Flores and Ray Telles
First exhibition: Mill Valley Film Festival
15 October 2005
Picadilly (1929) - score (2004) 130'
Filmmaker E.A. DuPont
featuring Anna May Wong
First exhibition: Jon Jang, piano:
San Francisco International Asian American Film Festival
7 March 2004
My America ... Honk, If You Love Buddha (1995) 90'
Filmmaker Renee Tajima- Pena
First exhibition: San Francisco International Asian American Film Festival
March 1998
Arsenal (1929) -score (1997) 90'
Filmmaker Alexander Dovzhenko
First exhibition: Pacific Film Archive, Berkeley, CA
March 1997
All music published by Zhang Music ASCAP
except for When Sorrow Turns to Joy
Janew Music ASCAP & Zhang Music ASCAP
Last Updated (Thursday, 19 August 2010 09:20)
Compositions

